26 October – CMSI Lecture | Memory and Politics of Language: Songs of Indentured Tamil Women in Malayan Plantations

On 26 September 2023, Dr Vandana Saxena (Universiti Malaya, Malaysia) will give a lecture titled “Memory and Politics of Language: Songs of Indentured Tamil Women in Malayan Plantations” as part of the lecture series organised by the Cultural Memory Studies Initiative of Ghent University.

Details of the event

Thursday 26 October, 4.30 p.m. – 6.00 p.m.
Location: Camelot meeting room (3.30), Faculty of Arts and Philosophy, Blandijnberg 2, 9000 Gent
Registration: https://event.ugent.be/registration/VandanaSaxena

Abstract

Since language is the primary medium for the production and sustenance of memory, whether personal or collective, the politics of language is inscribed in the mnemonic productions of the past. In postcolonial nations, contestations in the arena of memory are embedded within dualisms like colonial language versus indigenous languages, or the debates surrounding the issue of national language and the position of other languages vis-à-vis the national language. How does the politics of language affect and shape the arena of postcolonial memories? And what happens when it encounters the politics of gender and race? This talk will discuss the mnemonic representations of Tamil women plantation workers in British Malaya. Brought as indentured labour from India to work on Malayan rubber plantations, Tamil women plantation workers have been an important part of the colonial and postcolonial Malaysian economy and society. Yet, their histories and experiences are recounted mostly in the English language, either via archival documents of the colonial administration and the memoirs and ‘confessions’ of the British planters in Malaya, or via the accounts of the post-independence Malaysian state, where the gaps and silences of colonial accounts are filled in by state narratives. It is only recently that their own accounts of indenture have attracted attention, with the rediscovery of two volumes of plantation worker songs collected and published in the 1960s. These songs are in Tamil, and one of the reasons why they have been largely forgotten is due to the place of Tamil in Malaysia as a language of the migrant indentured labour community. These plantation songs highlight women’s experiences of migration from India, their life in the plantation, their efforts to create and preserve ‘India’ in Malaya, and their thoughts on British colonialism and anti-colonial movements. These memories, though they exist in the public arena, have been nearly forgotten given the language politics of postcolonial Malaysia as well as the marginalization of the subject on account of gender, race, and class. This talk shall discuss the songs of Tamil women plantation workers as a form of counter-memory that challenges colonial and postcolonial narratives. It shall further discuss the potential of minority-language literature to complicate and politicize colonial and national memory.

For more info click on the event page.

 

 

9 – 13 October, Doctoral School: Systems of Representation in Asian Religious and Philosophical Traditions

Between 9th and 13th October, Ghent University will host the Doctoral School “Systems of Representation in Asian Religious and Philosophical Traditions”.

This course is specifically designed for doctoral students specialising in Buddhist studies and related fields which focus on the cultural traditions of Asia. It offers a deep exploration into the working of systems of representation and symbolism within specific cultural frameworks, illuminating their role in shaping existential and ethical attitudes and conveying religious and philosophical ideas. Through such an exploration, students will develop a new conceptual lens with which they shall nuance their understanding of the traditions they study.

Fo the full programme and venue, click here.

Registrations

Ghent PhD students: https://event.ugent.be/registration/asianreligioustraditions.

 

New elective course for MA students: Contemporary Asian Academic Debates

As from the academic year 2023-2024, our department offers a new elective course in English to students enrolled in our MA program: Contemporary Asian Academic Debates, which will grant 3 CRDT.

The lecture series of the first semester will be dedicated to the theme “Animals, Humans and the Environment in Asian Studies”.
For more details about each lecture, check the Ufora page of this course.

The theme of the second semester will be “Interactions between Religious and Political Authority in East Asia: Past and Present”.

Lecturers in charge

Program director

Time and venue

Wednesdays, 10.00-13.00

Classroom 0.2 Blandijnberg 2, Campus Boekentoren/Hybrid

5 October – Ācārya Mahāprajña Annual Lecture – Beyond Life’s End

This year’s Ācārya Mahāprajña Annual Lecture will be held on Thursday 5 October, from 4:30 pm. It will take place in the Faculty Board Room (Blandijnberg 2), but will also be accessible online (see below for registration).

Our speaker Prof. Dr. Claire Maes (University of Tübingen) will discuss the age-old Jain practice of sallekhanā (a form of end-of-life fasting) in light of contemporary medical and legal frameworks.

 

Beyond Life’s End: Towards an Ethical Evaluation of the Jain Practice of Fasting to Death

In this lecture, I make an ethical argument to consider the Jain practice of fasting to death (known as sallekhanā) as different from suicide. To this end, I bring the Jain fast into conversation with the practice of ‘Voluntarily Stopping of Eating and Drinking’ (VSED), an end-of-life option, available in various countries for competent adults, to hasten the end of life by consciously choosing to not eat and drink. From a medical and legal point of view sallekhanā can be considered a form of VSED. Although differing in terms of intent and historical context, the two practices are similar insofar that they relate to capable and sound individuals who voluntarily forego food and water until death. Showing the critical similarity between VSED and sallekhanā, I argue that the grounds put forward by major medical associations and legal societies to differentiate VSED from suicide are equally applicable to the case of sallekhanā. I contend that the Jain fast needs to be disentangled from the concept of suicide based on the quality of intent, but also because the process is, in theory and for some time at least, reversible, supported by loved ones and members of the larger Jain community, and dependent on the individual’s continuous and prolonged will of renouncing food and water. I also show how medical and legal authorities defend an individual’s right to VSED based on the principles of self-determination, bodily integrity, self-ownership, and respect for persons. I put forward the view to take these ethical principles into account to legally protect a Jain’s right to take the vow of sallekhanā.

 

 

Speaker

Claire Maes studied Indian Languages and Cultures at Ghent University, Belgium, and Indian Philosophy at the University of Mysore in India. She earned her Ph.D. degree in 2015 from Ghent University with a dissertation that examines the influence of Jain thought and practice on the Buddhist monastic community in early India. Soon after, she joined the University of Texas at Austin where she worked for several years at the Asian Studies Department, first as a postdoctoral fellow of The Robert H. N. Ho Family Foundation Program in Buddhist Studies, and subsequently as a Sanskrit lecturer. Since September 2021, she is an assistant professor at the Department of Indology at the University of Tübingen, Germany. Her principal research topics are the Jain understandings of what constitutes a good death and the development of the Buddhist monastic community in ancient India.

 

Registration

Register for on-campus attendance: https://event.ugent.be/registration/annuallecture

Register for online attendance: https://event.ugent.be/registration/annuallectureonline

This event will be followed by a small reception.

Charles DiSimone awarded with an ERC Starting Grant for the project “Corpora in Greater Gandhāra”

One more research grant awarded to our department!
Our colleague Charles DiSimone has been awarded a prestigious ERC Starting Grant as the Principal Investigator of “Corpora in Greater Gandhāra: Tracing the Development of Buddhist Textuality and Gilgit/Bamiyan Manuscript Networks in the First Millennium of the Common Era”.
Prof DiSimone is a member of SANGH – South India Network Ghent and of GCBS – Ghent Centre for Buddhist Studies.
Congratulations, Charles!

Sara Mondini has joined us as a new Assistant Professor of Art and Architecture of West and South Asia

As from the academic year 2023-2024, Sara Mondini will be part of our department as a new Assistant Professor of Art and Architecture of West and South Asia. Sara has been awarded an Odysseus Type II grant by the Fonds Wetenschappelijk Onderzoek – Vlaanderen (FWO) for her 5-year project “The Mosques of Kerala: Artistic Vocabularies in the Identity-Building of Muslim Communities”. Welcome, Sara!

New collaborations for UGent students and researchers with academic institutes in India

In August 2023, Prof. Eva De Clercq, Prof. Tine Vekemans, and our program manager Inge Claerhout travelled to India to define potential collaborations between our Department of Languages and Cultures and new partner institutes in India: Manipal University (MAHE) near Udupi in Karnataka, Somaiya University in Mumbai, FLAME University in Pune, and IIT Jodhpur in Rajasthan.

New opportunities for trainings and exchange programs coming soon!

Aaricia Ponnet’s PhD defense: “Climbing the language tree: multiple case studies on the acquisition of Hindi as a Foreign language”

On 22 June our colleague Aaricia Ponnet successfully defended her PhD with a dissertation titled “Climbing the language tree: multiple case studies on the acquisition of Hindi as a Foreign language”, a groundbreaking study on foreign language learners of Hindi in Europe. Aaricia has a background in Indian Studies and currently works at the Department of Linguistics, Ghent University. Here you can find more details about her latest work.
Congratulations, Aaricia!