18 June 2025 | Guest lecture by Dr Stefan Baums, LMU Munich

On 18 June 2025, the Ghent Centre for South Asian Studies (GCSAS) and the Ghent Centre for Buddhist Studies (GCBS) will co-host a lecture by Dr Stefan Baums (University of Munich) titled “Gāndhārī Manuscripts and Inscriptions: Maintaining and Analyzing a Comprehensive Corpus”.

This event is part of The Gandhāra Corpora Project Lecture Series. All are welcome: The Gandhāra Corpora Lecture Series is in-person and hybrid online.

Time & venue

  • Tuesday, 18 June 2025, 17:00 (5pm) CET
  • Location: Faculteitszaal, Faculteit Letteren en Wijsbegeerte, Blandijnberg 2, 9000 Gent

Abstract

Gandhāra is known not only for its unique material culture, representing a confluence of Hellenistic and South Asian elements, but also for the wealth of ancient inscriptions and manuscripts in the local Gāndhārī language and Kharoṣṭhī script that it produced and preserved for us. Many of the inscriptions are from Buddhist contexts, including a large number of donative records, and some contain valuable historical information about the population and rulers of Gandhāra through history. Most ancient manuscripts from Gandhāra have come to light only in the last thirty years, and are the subject of intense ongoing research. They are the oldest Buddhist and the oldest South Asian manuscripts preserved, and very close to the beginning of written literature in South Asia. Beyond Gandhāra itself, Gāndharī manuscripts and inscriptions were produced far into the Indian subcontinent, up to Bamiyan in the west, in the kingdoms of Khotan, Krorayina, and Kucha along the Silk Roads, and among expatriate Buddhist communities in China. The Gāndhārī documentary corpus thus tells the story of the export of a writing culture, of its texts, and of the ideas that they conveyed across large parts of Asia, and is of unique interest for the historiography of Buddhism and Asian civilization. It is also a very diverse corpus, produced over more than five hundred years, comprising many different document types, and written in a broad range of scribal hands, orthographies, and dialects ranging from Middle Indian to Sanskrit. Beginning in 2002, Andrew Glass and the present speaker have been compiling a text-image corpus of all Gāndhārī documents on the website Gandhari.org, currently numbering 2,858 items and continually updated. In addition to presenting the documents in both their material and textual aspects, they catalog and analyze them in various ways, including the a dictionary of the Gāndhārī language, currently numbering 10,125 articles and firmly establishing Gāndhārī as one of the major languages of Buddhism and modern Buddhist scholarship. This lecture will introduce the corpus of Gāndhārī documents from Gandhāra and beyond, discuss the particular challenges that their study individually and as a whole presents, the solutions that have been adopted, and some discoveries made along the way.

Bio

Stefan Baums teaches at the Institute for Indology and Tibetology of the University of Munich and serves as lead researcher of the Buddhist Manuscripts from Gandhāra project at the Bavarian Academy of Sciences and Humanities. Before joining the University of Munich, he held positions at the University of Copenhagen, the University of Washington, the University of California, Berkeley, and Leiden University. His research interests include Buddhist philology and epigraphy, classical Sanskrit court literature, the development of Buddhist hermeneutics, and the description of Gāndhārī language and literature. His current work focuses on the decipherment and edition of four Gāndhārī manuscripts containing commentaries on early Buddhist verses and the Saṃgītisūtra and a study of the historical connections and exegetical principles of this group of texts. He is editor of the Dictionary of Gāndhārī, co-editor of the Gandhāran Buddhist Texts series, academic lead of the Research Environment for Ancient Documents (READ) software development project, and epigraphist for the Italian Archeological Mission in Pakistan.

 

Three new FWO fellows at GCSAS: Dr Heleen De Jonckheere, Dr Kikee Bhutia, Dr Xiaoming Hou

We are delighted to share that three researchers will be joining the Ghent Centre for South Asian Studies at the Department of Languages and Cultures in the fall having been awarded prestigious FWO Junior and Senior Postdoctoral Fellowships in the 2025 competition.

Dr. Heleen De Jonckheere has received a senior postdoctoral fellowship under the supervision of Professor Eva De Clercq. Dr Kikee Bhutia and Dr. Xiaoming Hou have both received junior postdoctoral fellowships under the supervision of Professor Charles DiSimone. Congratulations to Dr. De Jonkheere, Dr. Bhutia, and Dr. Hou! We are excited to welcome them into our research group in the Fall.

 

Dr. De Jonckheere joins us from SOAS London with the project: Apabhraṃśa at the Turning Point of the Tenth Century in Indian Literary History

This project will study the literary expression and socio-aesthetic role of Apabhramsha within the multilingual literary landscape of 10th-century Malkhed, South India. This period marks a turning point in the history of Apabhramsha and of Indian literature. Apabhramsha literature was at its height with the writing of the Jain author Puṣpadanta (10th c.), but after the sacking of Malkhed in 972 CE, it disappeared from South India, confining writing in the classical triad of languages (Sanskrit, Prakrit, and Apabhramsha) to North-India. Although scholars recognise the significance of this moment and of Puṣpadanta’s poetic excellence, his works or the role of Apabhramsha as a literary idiom have not been studied seriously. This project will address this gap by (1) characterising the socio-aesthetic qualities of Puṣpadanta’s Apabhramsha; (2) comparing these with those of other literary languages prevalent in 10th-century Malkhed; (3) analysing the religio-political complex at that time and its potential impact on Apabhramsha’s South-Indian demise; and (4) assessing the legacy of Puṣpadanta in North-India. I will apply methods of classical and digital philology on poetic texts, inscriptions, and manuscript colophons to achieve this. The project’s results will contribute to our understanding of the shift to the vernacular in South India, and of the influence of Apabhramsha on India’s literary history, stimulating new research on this understudied language.

 

 


Dr. Bhutia
joins us from the University of Tartu with the project: Local Deities, Natural Disaster, and Ritual Waste in Vernacular Buddhist Practices in the Himalayas

This project examines the intersection of local religious practices, environmental policies, and waste management in Sikkim, with a particular emphasis on the influence of Buddhist rituals and beliefs on the community’s approach to sustainability. Despite its relatively small geographic size, Sikkim has emerged as a leader in environmental initiatives, including the prohibition of plastic and the promotion of eco-friendly practices. However, traditional rituals, such as the tying of prayer flags and the use of synthetic materials in religious offerings, pose significant challenges to environmental conservation. This research investigates the roles of local deities, vernacular Buddhist practices, and monastic institutions in waste management, analyzing how religious concepts are integrated into environmental policies. Utilizing ethnographic fieldwork, interviews, and archival research, this study will explore how communities navigate the complexities of modernization and tradition, thereby contributing to academic discussions on waste, religion, and sustainability in the Himalayas. The project aims to produce scholarly articles, presentations, and public outreach materials, thereby fostering both academic and social engagement.

 

 

 

Dr. Hou joins us from UC Berkeley with the project: Visualizing Doctrine: A Study of Exegetical Diagrams in Medieval Chinese Buddhism (8th–10th Centuries)

This research project investigates the technical and pedagogical practices of medieval Chinese Buddhism by focusing on exegetical diagrams preserved in Dunhuang from the 8th to 10th centuries. Known both as fenmen tu 分門圖 (“diagram of gate-division”) and kewen 科文 (“text of analytical division”), these diagrams exemplify the liminal nature of this unique genre, which bridges the boundaries between image and text. Flourishing in medieval China and persisting into modern Buddhist practice, these diagrams provide critical insights into the epistemological foundations of Chinese Buddhist scholasticism. The study addresses three key questions: (1) What are the defining features and functions of these diagrams, and how do they facilitate knowledge organization? (2) How were they produced, transmitted, and utilized in their manuscript contexts, and what do these practices reveal about their pedagogical roles? (3) What do these diagrams disclose about the social and institutional networks of their producers and users? The project also situates Buddhist exegetical diagrams within the broader Chinese tu 圖 tradition, comparing them with diagrams from non-Buddhist traditions to analyze their divergences as scholastic tools. By exploring these diagrams as technical devices for knowledge transmission, this research shifts scholarly focus from doctrinal content to the technical savoir-faire underpinning intellectual traditions.

10 June 2025 | Guest lecture by Prof Lewis Doney, University of Bonn

On 10 June 2025, the Ghent Centre for South Asian Studies (GCSAS) and the Ghent Centre for Buddhist Studies (GCBS) will co-host a lecture by Prof Lewis Doney (University of Bonn) titled A Corpus of Ritual Literature from Dunhuang and its Links Further West.

 

This event is part of The Gandhāra Corpora Project Lecture Series.
All are welcome: The Gandhāra Corpora Lecture Series is in-person and hybrid online.

Time & venue

  • Tuesday, 10 June 2025, 17:00 (5pm) CET
  • Location: Faculteitszaal, Faculteit Letteren en Wijsbegeerte, Blandijnberg 2, 9000 Gent

Abstract

The wealth of texts from the famous “Library Cave” or Cave 17 from Mogao near Dunhuang, which was closed around the turn of the eleventh century, offers scholars a time-capsule from the social and cultural world of first-millennium CE Dunhuang, a melting pot with connections to China and places farther west along the so-called Silk Road. It can also be used, with caution, to compare religious practice there with what we know of Buddhism at the court of the Tibetan emperors in the eighth and ninth centuries especially. One aspect of this is what Arthur Waley termed “Dhāraṇī Buddhism” in his 1931 work, A Catalogue of Paintings Recovered from Tun-Huang by Sir Aurel Stein. This presentation will bring recent advances in the study of the importance and changing nature of prayer in Indic- and Chinese-language sources to bear on Pelliot tibétain 45, a stitched concertina Tibetan-language manuscript from Dunhuang that consists of a corpus of rituals dating to between the imperial and early post-imperial period. In this presentation, I will identify some of the dhāraṇīs and prayer texts found in this manuscript, with correlates provided (in somewhat different forms) in the later Tibetan canons, discuss the ritual uses of these texts evidenced in the manuscript’s marginalia, and connect the literary and artistic additions in it to central Tibet, Gilgit and South Asia during the first millennium.

Bio

Lewis Doney is Professor of Tibetan Studies at the Rheinische Friedrich-Wilhelms-Universität Bonn. He received his PhD (Study of Religions) from SOAS, University of London, in 2011 and was then engaged in postdoctoral research on early Tibetan life writing, empire and religion, Tibetan relations with South Asia and their impact on social and labour dependencies within Sino-Tibetan communities around Dunhuang, and later southern Tibetan Buddhist historiography and ritual and their relations to cultural identities and ecologies in the Himalayas. His publications include a solo-authored monograph titled The Zangs gling ma: The First Padmasambhava Biography (International Institute for Tibetan and Buddhist Studies, 2014), an edited volume, Bringing Buddhism to Tibet: History and Narrative in the dBa’ bzhed Manuscript (De Gruyter, 2021) and a monograph co-authored with Brandon Dotson: Producing Buddhist Sutras in Ninth-Century Tibet: The Sutra of Limitless Life and its Dunhuang Copies Kept at the British Library (De Gruyter, 2025).

5 June 2025 | Guest lecture by Dr Ashwini Lakshminarayanan, Cardiff University

On 5 June 2025, the Ghent Centre for South Asian Studies (GCSAS) and the Ghent Centre for Buddhist Studies (GCBS) will co-host a lecture by Dr. Ashwini Lakshminarayanan (Cardiff University) titled “Visualising Rituals in Gandhāra”.

 

This event is part of The Gandhāra Corpora Project Lecture Series.
All are welcome: The Gandhāra Corpora Lecture Series is in-person and hybrid online.

Time & venue

  • Thursday, 5 June 2025, 16:00 (4pm)
  • Location: Faculteitszaal, Faculteit Letteren en Wijsbegeerte, Blandijnberg 2, 9000 Gent

Abstract

It has long been recognised that the bases of Buddha and Bodhisattva schist statues from the ancient region of Gandhāra depict to some extent scenes that echo ritual practices that were normative for the region. While they have been the focus of sporadic assessments in the last decades, this paper is a systematic analysis of statue bases coming from ancient Gandhāra, a region located in the Northwest part of the Indic subcontinent, within the wider context of Gāndhārī donative inscriptions and Chinese travelogues. Dating broadly from the second century CE onwards, the statues bases, this paper argues, were a new venue to visually reinforce the ritual efficacy. As part of the systematic analysis, this talk showcases a work in progress, shedding light on the conventions used on statue bases and the actions of figures represented within them.

Bio

Dr Ashwini Lakshminarayanan is a Maria Skłodowska-Curie Research Fellow at Cardiff University leading the project ‘GRAVE: Gandharan Relic rituals and Veneration Explored’. This project analyses the visual material from Gandhāra (present day Pakistan and Afghanistan between the 1st and the 4th centuries CE) in its socio-religious context, focussing on contemporary Gandhari relic donative inscriptions and later Chinese accounts of relic veneration in the region. Besides rituals, Ashwini Lakshminarayanan’s work also focuses on gender, multi-cultural and multi-religious interactions within the Kushan kingdom.

 

30 – 31 July 2025 | International Graduate Conference: “Forgotten Mosques: Locale, Polycentric Pasts, and the Fabric of Kerala Islam”

The Kerala Mosques Project team is thrilled to announce the International Graduate ConferenceForgotten Mosques: Locale, Polycentric Pasts, and the Fabric of Kerala Islam” which will take place at the University of Calicut, Kerala (India) on 30 and 31 July 2025.

 

The call to apply is open until 30 May 2025: more information on how to participate in the poster below.

This is the second of two events organized as part of the project for this summer, the first being the Summer School “History, Material Culture and Heritage of Kerala Muslims”, 21-27 July 2025 (Kodungallur, Kerala).

“The mosques of Kerala. Artistic vocabularies in the identity-building of Muslim communities” is is a project based at the Ghent Centre for South Asian Studies with a FWO Odysseus Type II.

21 – 27 July 2025 | Summer School: “History, Material Culture and Heritage of Kerala Muslims”

The Kerala Mosques Project team is excited and happy to announce the Summer School “History, Material Culture and Heritage of Kerala Muslims” which will take place in Kodungallur, Kerala (India) from 21 to 27 July.

 

We look forward to receiving applications by 30 May 2025: more information on the flyers attached.

 

This is the first of two events organized as part of the project for this summer, the second being the International Graduate Conference “Forgotten Mosques Locale, Polycentric Pasts, and the Fabric of Kerala Islam”, 30-31 July 2025, University of Calicut (India).

 

“The mosques of Kerala. Artistic vocabularies in the identity-building of Muslim communities” is is a project based at the Ghent Centre for South Asian Studies with a FWO Odysseus Type II.

 

27 February – 8 May 2025 | GCSAS lecture series: “Ascetiscapes: Studies at the Intersection of Asceticism and Space”

The annual online lecture series organised by the Ghent Centre for South Asian Studies (GCSAS) is dedicated this year to the theme “Ascetiscapes: Studies at the Intersection of Asceticism and Space”.

Ascetics before the shrine of the Goddess. Folio from Kēdāra Kalpa. India, Himachal Pradesh, Kangra, ca. 1815. The Walters Art Museum

 

Asceticism, as a set of psycho-physical practices aimed at redefining, transforming, perfecting or obliterating the self, stretches beyond the purely bodily and spiritual dimensions of the practitioner. Both on the individual and the community level, it influences and is constantly influenced by physical and non-physical space.
This online lecture series invites reflection on the various ways in which ascetic practitioners in South Asia have engaged with abstract, physical, social and embodied space. We will explore different traditions from various disciplinary angles, collectively interrogating the relationship between ascetic paths and the transformation of conceptual and material space.

 

All our presenters can be followed online (registration required); three lectures will also be available on campus.

Everyone is warmly invited to join: follow the links in the programme below to register!

 

PROGRAMME & REGISTRATION

Thursday 27 February, from 4pm CET

Akshara Ravishankar [Ghent University]

Even the Wise Grieve: Narrative and Renunciation in the late Advaita Bhagavad Gītā

Hybrid – Camelot Blandijn 3.30

Registration: https://events.teams.microsoft.com/event/030ec090-87e7-4880-837d-0f248e5de73f@d7811cde-ecef-496c-8f91-a1786241b99c

 

Thursday 13 March, from 4pm CET

Justin Henry [University of South Florida]

Echoes of Sri Lanka’s Lion Rock: Ascetic and Erotic Buddhist Poetry from the Sigiri Graffiti

Hybrid – Camelot Blandijn 3.30

Registration: https://events.teams.microsoft.com/event/78fae3b8-2c77-42ed-9d9c-176eea720d19@d7811cde-ecef-496c-8f91-a1786241b99c

 

Thursday 27 March, from 4pm CET

Amen Jaffer [Lahore University of Management Sciences]

Rethinking the location of Spirituality: Social Space in Pakistan’s Sufi Shrines

Online Only

Registration: https://events.teams.microsoft.com/event/bd94b34f-f91b-4861-9838-41a3f89aa16c@d7811cde-ecef-496c-8f91-a1786241b99c

 

Thursday 17 April, from 4pm CET

Christoph Emmrich [University of Toronto]

A Place for Jainism. Jīvapantu T.S. Śrīpāl, Camaar Hill, and the Creation of the Contemporary Tamil Jain Landscape

Online Only

Registration: https://events.teams.microsoft.com/event/cc74bded-cc09-4976-b967-5de01128bedd@d7811cde-ecef-496c-8f91-a1786241b99c

 

Thursday 24 April, from 4pm CET

Heleen De Jonckheere [SOAS]

Cemented Gods and Butterfly Gardens: Wondrous Re-use of Jain Temple Sites in Madhya Pradesh

Hybrid – Simon Stevin, Plateau VGZ 0.1

Registration: https://events.teams.microsoft.com/event/79d1321c-38f9-4038-a1d1-a3571c737c53@d7811cde-ecef-496c-8f91-a1786241b99c

 

Thursday 8 May, from 4pm CET

Daniela Bevilacqua [University Institute Lisbon, ISCTE-IUL]

Tapobhūmi: Ascetic Landscapes and the Transformation of Self and Space in India

Online Only

Registration: https://events.teams.microsoft.com/event/705c66d5-b358-49ce-a773-ea95ff2ceaee@d7811cde-ecef-496c-8f91-a1786241b99c

24 February 2025 | Guest lecture by Barbara Čurda, Université Clermont Auvergne and French Institute of Pondicherry

On 24 February, Dr Barbara Čurda (Marie Curie fellow, University Clermont Auvergne and French Institute of Pondicherry) will deliver a talk titled “Feminine agency and social value in shifting urban environments: the transmission of Odissi dance in Bhubaneswar”.

This talk is organised by the Ghent Centre for South Asian Studies (GCSAS) and the Center for Research on Culture and Gender (CRCG). It can be followed both in person and online.

Details

  • Monday 24 February, 12:00 – 13:30 (CET)
  • on-campus: Faculteitszaal (first floor), Campus Boekentoren, Blandijnberg 2, Ghent
  • online: please register here

About the lecture

Drawing on ethnographic data from the early 2020s, this presentation explores the relation between women’s agency and their degree of adherence to patriarchal values in an environment subjected to rapid and intense changes. It focuses on women practising Odissi dance, considered by the government of India to be one of the “Indian classical dances”, in the urban context of Bhubaneswar, capital city of the Indian State Odisha, in which these practices thrive.
India has undergone rapid socio-economic and technological transformations in the past decades. Moreover, the city of Bhubaneswar has experienced a particular stark growth. This has affected the socio-economic fabric that support Odissi dance practices, based on a social order regulated by pronounced gender asymmetries. How do these changes affect the gendered equilibrium? What are the present constraints and opportunities? How do values and norms evolve in such a context?

About the speaker

Barbara Čurda is an anthropologist, and has been working as a Marie Curie fellow on the MSCA-IF-GF project GATRODI* (Gender asymmetry in the transmission of Odissi dance in India – a case study). The project interrogates relational dynamics and conceptions of know-how amongst dance practitioners, using qualitative and ethnographic methods.
Her research interests include gender, inequalities, corporeal practices, heritage, and South Asia. She holds a PhD in anthropology from the Université Blaise Pascal (France), and has taught extensively in the higher education sector and notably at the Université Clermont Auvergne (France).
This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Sklodowska-Curie grant agreement No. 101033051.

For more information: carine.plancke@ugent.be

3 February 2025 | Film presentation with the filmmaker: “The death of us” by Vani Subramanian

The Ghent Centre for South Asian Studies has organised a film screening of ‘The Death of Us’, a documentary on the death penalty in India, followed by a Q&A conversation with the filmmaker Vani Subramanian.
We will discuss about the history and stakes of the debates on the death penalty, criminality, and justice in contemporary India.

Students, faculty, researchers, and staff are very welcome to attend: no registration is required.

  • When: 3 February 2025, from 11:00 to 13:00
  • Where: room 5.50, Faculty of Arts and Philosophy, Campus Boekentoren – Blandijnberg 2, 9000 Gent

For more information, contact Dr. Akshara Ravishankar.

THE DEATH OF US

A quiet contemplation on a range of cases in which the death penalty was pronounced, ending in execution, commutation to life sentence, acquittal or even pardon. Speaking to those who have been on death row or those very closely involved with the cases, we engage in complex conversations on crime and punishment, revenge and justice, popular rhetoric and personal experiences.
Direction: Vani Subramanian
78 mins | English, Hindi, Telugu | English Subtitles | 2018
DOCUMENTARY

ABOUT THE FILMMAKER

Vani Subramanian has been a women’s rights activist and documentary filmmaker since the nineties. Her work as a filmmaker explores the connections between our everyday practices, perceptions and prejudices, and the larger political questions confronting us – be they in the areas of culture, food practices and production, education, sectarian intolerance, sex selective abortions, or questions relating to justice and the death penalty. Her films have been screened and received awards, both nationally and internationally. Presently she is the Creative Director of reFrame Institute of Art and Expression, an initiative that produces, mentors and disseminates artistic efforts that respond to contemporary challenges.

12 December 2024 | Guest lecture by Sreenath VS, IIT Madras

We are pleased to announce an upcoming Guest Lecture hosted by the Ghent Centre for South Asian Studies on 12 December 2024 at 1:30 pm CET in a hybrid format:

  • in person: Faculty of Arts and Philosophy, Camelot 3.30, Blandijnberg 2, 9000 Gent
  • online: send an email to rosina.pastore@ugent.be for the registration

Title of the Lecture: “Exploring the creative world of Ācārya Hemacandra”
Speaker: Prof. Sreenath VS (IIT Madras)

Through this talk we will delve into the Jaina contributions to aesthetics in the work of Hemachandra.

Sreenath VS, Assistant Professor in the Department of Humanities, IIT Madras, is a visiting scholar at the Ghent Centre for South Asian Studies this December, and his lecture is part of this appointment.